This year also saw two songwriting teams having their first great hits. Lady Be Good by the Gershwins - starring Fred & Adele Astaire - was a great success on Broadway and "Oh! Lady Be Good" and "Fascinating Rhythm", both introduced by Cliff "Ukulele Ike" Edwards, became very popular.
The Garrick Gaieties was the first successful stage show for Richard Rodgers & Lorenz Hart. "Manhattan" with its complex lyrics became one of key song for the further development of songwriting. Only Cole Porter had to wait a little longer. His "I'm In Love Again" - written for the show "The Greenwich Village Follies" - only became a minor hit 2 years later in 1927
Most successful musical of the year was Rose Marie with music by Rudolf Friml and book and lyrics by Oscar Hammerstein II and Otto Harbach. "Indian Love Call" was the most popular song from this show (and was later revived for example by Jeannette MacDonald, Artie Shaw and Slim Whitman).
1. "All Alone" (Irving Berlin)
mp3: John McCormack
mp3: Al Jolson
"All Alone" is one of Irving Berlin's most beautiful songs. It starts with one of the bleakest depictions of loneliness and longing ever:
Just like a melody that lingers on
You seem to haunt me night and day[...]All AloneI'm so all alone,There is noone else but you
and ends with:
Wondrin' where you are,And how you areAnd if you are
All alone too.
Berlin was a master of minimalism, a songwriter who cut the lyrics of his love songs down to its barebones and wrote sad songs for lonesome listeners that were tailor made for the new media like the radio:
"Radio [...] was the perfect vehicle for the new kind of 'sob ballad' Irving Berlin had been writing. Intimate, introspective, reflective, the radio, like the phonograph called for ballads aimed at the solitary listener [...] In 1924, 'What'll I Do?' was sung over the radio by Frances alda and 'All Alone' was introduced by John McCormack, reaching millions of listeners without the extensive plugging network of Tin Pan Alley [..] Berlin portrays the singer in a lonely room [...] The tiltle itself is a commonplace phrase in which Berlin discerned a singable and memorable faceting of sound: 'All Alone.' Such repetitive syllables, words and phrases mirror the self-enclosed lyrical 'space' of both singer and listener of such radio and phonograph ballads" (Furia, Irving Berlin, p. 104/5)
2. "Moonlight And Roses" (Lemare, Black & Moret)
The melody was adapted by the lyricists Neil Moret [i.e. Charles N. Daniels] and Ben Black from the "Andantino in D Flat", a very popular organ piece by Edwin Lemare (1888) without having asked for permission. Only after threatening with legal action Lemare managed to receive his share of the royalties.
3. "I'll See You In My Dreams" (Kahn/Jones)
3. "I'll See You In My Dreams" (Kahn/Jones)
The music was written by the popular bandleader Isham Jones while the words were added by Gus Kahn, a lyricist very busy during these years. This is another song that is performed until today, a "cherished farewell song, a favorite when played as the last number at a dance" (Hischak, Tin Pan Alley Encyclopedia, p. 172). Chet Atkins later turned it into a guitar instrumental.
4. "Remember" (Irving Berlin)
YouTube and mp3: Franklyn Baur
4. "Remember" (Irving Berlin)
YouTube and mp3: Franklyn Baur
YouTube: John McCormack
mp3: Isham Jones Orchestra
Later recordings are also available on YouTube: Cliff Edwards (1943), Red Norvo Orchestra (1937, instrumental)
This is another sad and poignant lament. The refrain consists of only three sentences, two of them questions: a poor guy is adressing the girl who had promised and vowed "by all the stars above" but now she acts as if they've never met. The song is built on the juxtaposition "you promised [...] but you forgot" and is effectively debunking a romantic hyperbole, the promise of eternal love. The careful use of dissonant sounds - uncommon for that era - gives the song an additional dimension.
Later recordings are also available on YouTube: Cliff Edwards (1943), Red Norvo Orchestra (1937, instrumental)
This is another sad and poignant lament. The refrain consists of only three sentences, two of them questions: a poor guy is adressing the girl who had promised and vowed "by all the stars above" but now she acts as if they've never met. The song is built on the juxtaposition "you promised [...] but you forgot" and is effectively debunking a romantic hyperbole, the promise of eternal love. The careful use of dissonant sounds - uncommon for that era - gives the song an additional dimension.
Remember the nightThe night you said, I love youRemember?Remember you vowedBy all the stars above youRemember?Remember we found a lonely spotAnd after I learned to care a lotYou promised that you’d forget me notBut you forgotTo remember.
Bob Dylan later used this song as a kind of blueprint for his own "I Don't Believe You" (1964).
5. "Yes Sir, That's My Baby" (Kahn/Donaldson)
5. "Yes Sir, That's My Baby" (Kahn/Donaldson)
This is another song with lyrics by Gus Kahn, who was inspired to write it while playing "with a mechanical pig belonging to one of [Eddie Cantor's] daughters. The openenig line of the song to the jerky rhythm of the toy, came to Kahn in a flash" (Paymer, Sentimental Journey, p. 83)
Other hits:
mp3: Cliff Edwards, "Lady Be Good" (George & Ira Gershwin)
mp3: Fred & Adele Astaire, "Fascinating Rhythm" (recorded in 1926 with George Gershwin himself playing the piano)
mp3: Ben Selvin's Knickerbockers, "Manhattan" (Rodgers & Hart)
mp3: Paul Whiteman Orchestra, "Manhattan"
I found only instrumental performances from the mid-20s. The definitive vocal performance of this songs is for me still Lee Wiley's (1951, here on YouTube)
mp3: Isham Jones Orchstra, "Indian Love Call"I found only instrumental performances from the mid-20s. The definitive vocal performance of this songs is for me still Lee Wiley's (1951, here on YouTube)
YouTube: Richard Tauber, "Indian Love Call" (recorded 1927)
See also later versions for example by Jeannette MacDonald & Nelson Eddy (1936, YouTube) Artie Shaw (1938,YouTube).
mp3: Eddie Cantor, "If You Knew Susie" (see also Eddie Cantor singing this song in the movie of the same name, 1948, on YouTube )
mp3: Cliff Edwards, "If You Knew Susie" (DaSylva/Meyer)
mp3: Ethel Waters, "Sweet Georgia Brown" (Pinkard/Bernie/Casey)
mp3: Isham Jones Orchestra, "Sweet Georgia Brown"
mp3: Eddie Cantor, "If You Knew Susie" (see also Eddie Cantor singing this song in the movie of the same name, 1948, on YouTube )
mp3: Cliff Edwards, "If You Knew Susie" (DaSylva/Meyer)
mp3: Ethel Waters, "Sweet Georgia Brown" (Pinkard/Bernie/Casey)
mp3: Isham Jones Orchestra, "Sweet Georgia Brown"
Literature & Sources:
- Philip Furia, Irving Berlin. A Life In Song, New York 1998
- Marvin Paymer, Sentimental Journey. Intimate Portraits Of America's Popular Songs 1920 - 1945, Darien, CT 1999
- Thomas S. Hischak, The Tin Pan Alley Song Encyclopedia, Westport, CT & London 2002
- Many thanks to all those people who have posted all this music at he Internet Archive and at Youtube.
- Based again on the data found in: Edward Foote Gardner, Popular Songs Of The Twentieth Century. Vol. 1: Chart Detail & Encyclopedia 1900 - 1949, St. Paul, MN: Paragon House, 2000
All parts of this series:
1919
1921
1911
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