During the 1750s an instrument commonly called the "guittar" became immensely popular in Britain. This was not a guitar as we know it today but a close relative of the cittern. I have tried to write a little history of this particular instrument that is now available on my website:
This is about a very old family of songs. The earliest examples - two broadsides and a tune - are from the 17th century. Today "I Loved A Lass" - first recorded by Ewan MacColl in 1965 (here at YouTube) - is quite popular among Folk singers. The song was also known under titles like "The Week Before Easter", "The False Hearted Lover", "The False Nymph", "Love Is The Cause of My Mourning" etc.
Exactly a hundred years ago today one of the most successful and influential songs of the 20th century was registered for copyright (Kimball/Emmet, p. 30, see the sheet music at the Levy Collection):
"Alexander's Ragtime Band; words and music by Irving Berlin. Registered in the name of Ted Snyder Co., under E 252990 following publication March 18, 1911" (quoted from Hamm, p. 112)
[...]
Come on a-long, come on a-long,
Let me take you by the hand
Up to the man, up to the man,
Who's the leader of the band,
And if you care to hear the Swanee River played in ragtime
Come on and hear, come on and hear,
Alexander's Rag-Time Band.
The song was introduced on stage by Emma Carus a month later on April 17 in Chicago (Hamm, p. 132) and it was first recorded by Collins & Harlan on June 7 for Columbia. I found this video on YouTube:
Since then then the song has been performed and recorded by countless artists. Among my favourite versions are those by Bessie Smith (1927, available at the Internet Archive) and the Boswell Sisters (1935, also available at The Internet Archive).
mp3: Clayton McMichen's Georgia Wildcats (a Country-version from the 30s, c/o The Internet Archive)
Literature
Charles Hamm, Irving Berlin, Songs From The Melting Pot: The Formative Years 1907 - 1914, New York & Oxford 1997 (p. 102 - 136: the best scholarly piece on this song so far)
Robert Kimball & Linda Emmet (ed.), The Complete Lyrics Of Irving Berlin, New York 2000
See also Mark Steyn's fine piece, at the moment available at SteynOnline
A while ago I have written a little bit about Irving Berlin's early songs for my website: